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・ Antonio Maria Bordoni
・ Antonio Maria Cagiano de Azevedo
・ Antonio Maria Ceriani
・ Antonio Maria Ciocchi del Monte
・ Antonio Maria Colini
・ Antonio Maria Costa
・ Antonio Maria de la Guerra
・ Antonio Maria Fabrizi
・ Antonio Maria Ferraboschi
・ Antonio Maria Gianelli
・ Antonio Maria Haffner
・ Antonio Maria Lorgna
・ Antonio Maria Lucchini
・ Antonio Maria Magro
・ Antonio Maria Mazzoni
Antonio Maria Pacchioni
・ Antonio Maria Panni
・ Antonio Maria Pucci
・ Antonio Maria Salviati
・ Antonio Maria Valsalva
・ Antonio Maria Vassallo
・ Antonio Maria Vegliò
・ Antonio Maria Viani
・ Antonio Maria Zanetti
・ Antonio Marinetti
・ Antonio Marini
・ Antonio Marino
・ Antonio Mario La Pergola
・ Antonio Mariscal
・ Antonio Mariño Souto


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Antonio Maria Pacchioni : ウィキペディア英語版
Antonio Maria Pacchioni
Antonio Maria Pacchioni (baptised 5 July 1654 - 15 July 1738) of Modena was a Baroque composer, known for his polyphonic church music. He studied violin technique with Giovanni Maria Bononcini and musical composition with Padre A. Bendinelli.〔(Antonio Maria Pacchioni (it.) )
〕 He received holy orders in 1677, which enabled him to become ''maestro di cappella'' of the Duomo of Modena in 1694. His oratorios were among the first to be heard publicly in Modena (1677, 1678); of surviving compositions, two were on sacred subjects while a third (1682) concerned the quasi-legendary countess Matilda of Tuscany. His four-voice ''a capella'' motets ''In monte Oliveti'' and ''Velum templi'' have been recorded.
Pacchioni also served as vice-maestro and then ''maestro di cappella'' at the ducal court of Rinaldo d'Este (1655–1737).
Among his pupils was the violinist-composer Tomaso Antonio Vitali.
==Notes==




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